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    Retrieved 7 April 2012. Oliver Schories © facebook. As mentioned, the Wilden Renate is a popular place so it is best to arrive early, not with a very large group and with at least a few girls.


    My suggestions for February are online right now but Kater Blau and Watergate are not the most easiest places to get into. Retrieved 30 November 2007. In 1815, the city became part of the new. Aber auch rechtliche Aspekte, etwa zum Partnersuchs, werden ausführlich beleuchtet. Aber im Gegensatz zu den meisten Single party berlin 2014bei denen nur eine begrenzte Auswahl an Partnervorschlägen gemacht wird, können die Mitglieder der Medico Singles mit der Suchfunktion genau den Partner finden, den sie sich wünschen. Weeeirdos at Urban Spree. For several years Berlin has been recognized as a major center of. Dong Xuan Center, Berlin East Germany is often imagined as having been a closed ship, caulked against the jesus of international migration with Communist restrictions on travel. A series of lakes also feeds into the upper Spree, which flows through the in eastern Berlin. Retrieved 18 August 2008. I went for my first time at the weekend, and we had lunch in the first place we spotted — with a lovely outdoor veranda in the warm sunshine. It was a former East-West border crossing and connects the boroughs of and.

    Party in Berlin: The best parties in September 2018 - Intercity buses Similarly to other German cities, there is an increasing quantity of.

    This slick club was one of the driving forces behind the rise of minimal techno in mid-2000s Berlin, as well as the first to feature a ceiling-mounted responsive LED lighting system, now copied all around the world. The downstairs Water Floor is particularly impressive with its panorama windows looking directly out onto the Spree, as well as a floating deck terrace for watching the sunrise over Kreuzberg. The music is usually some form of tech-house, Watergate doing a lot to support smaller local labels like Keinemusik and Souvenir, and they often have legends like Kerri Chandler playing too. The wild-child artist Martin Kippenberger took over management in 1979, attracting experimental musicians such as Throbbing Gristle and Suicide. Still going strong, and with no sign of betraying its highly-politicized origins, SO36 is suitably scummy inside, with decades of sweat, beer and blood ingrained into the woodwork. While plenty of touring punk and hardcore bands grace their black stage, they embrace all forms of alternative lifestyle, hosting the long-running gay and lesbian Turkish night, Gayhane, which plays its own distinctive blend of middle-eastern dance pop and electronic classics. Oranienstrasse 190, Kreuzberg tickets 6110 1313, 6140 1306, www. One loosely knit party collective started throwing semi-legal irregular parties in a multi-storied old apartment block. Although international visitors increasingly outnumber locals, the original club still offers a slice of that semi-underground experience with a music policy that leans towards the more hedonistic side of disco house. Depending on the night, one or all of the floors might be open, each decorated in a typically haphazard fashion with rickety bunk seating and ladders running around it. Expect long queues between 1am and 3am but once inside, you can run wild, like kids in an adventure playground, exploring the multitude of rooms, corridors and hidden corners. Once home to a rather hit-and-miss music policy, with the occasional live show, this grimy little club has now settled firmly into a series of all-weekend techno parties. Its location — smack dab in the middle of a motorway — means it has no issue with noise. The Thursday night parties are particularly raucous, with the club carrying on until pretty much Monday afternoon. The atmosphere is extremely relaxed and positive, staying true to the Berlin party ethos of egalitarian fun with no fashion police or posing allowed. Housed in what was formerly the main central-heating power station for East Berlin, the colossal location is breathtaking, and since only a tiny portion of its 28,000sq m 300,000sq ft is in use, there's plenty of room for future development in what is intended to be not just a club, but a huge centre of alternative art and culture. The basement floor is an experience you'll not forget; a black hole occasionally punctuated by flashing strobes with some of the loudest, hardest techno you are likely to hear. An excellent example of the way Germany deals with bridging the gap between state-subsidized high culture and its underground performance scene. Hebbel am Ufer is actually a fusion of three different theatres in Kreuzberg, providing a space for younger, more experimental work ranging from drama, music, dance, talks and a strong cultural outreach programme. Other locations: HAU1, Stresemannstrasse 29; HAU3, Tempelhofer Ufer 10. In operation since 1913, it has had its fair share of ups and downs, but one thing has stayed constant on its floor — the familiar tappety-tap of a ballroom quick step or foxtrot. The Ballhaus actually has two ballrooms: the vast ground-floor space is lined with silver tinsel streamers and a spacious dance floor is ringed by wooden tables bedecked with white tablecloths and candles, a huge disco ball spinning overhead. Upstairs is another room that never fails to elicit gasps of awe from first-time visitors. Smaller but with high ceilings and a fin-de-siècle vibe, the chandeliered Mirror Salon has huge cracked mirrors, ornate moulding work and candlelight, transporting guests straight back to the 1920s. A true Kreuzberg institution, this indie concert venue was a cinema in the 1950s and retains its curved bar and neon signage. Iggy Pop and David Bowie went on to produce some of their best work after shacking up together here in the late '70s and since then the rock and indie scene has been somewhat in the shadow of the never-ending techno party. Karrera Klub, usually on Saturdays at Lido, has championed guitar-driven music in the city for over a decade now, always featuring a live gig and then going all night with DJs playing indie dance classics. Otherwise, there is a regular programme of live music with all types of acts, from the avant-garde like Laibach and Lydia Lunch to more contemporary bands like Kurt Vile and These New Puritans. Posters on the U-bahn proclaim Berlin Opernhauptstadt opera capital — and with reason. East and West Berlin were both awash with state subsidies in a bid to demonstrate the cultural supremacy of communist and capitalist philosophy. After reunification there was twice the amount of everything, and, as a result, Berlin now boasts enough classical music for two or maybe three cities. The austere concrete Deutsche Oper building contains a stark modernist interior built in 1961 by Fritz Bornemann. Under the current directorship of Scotsman Donald Runnicles, the repertory combines visually striking adaptations of classics like Don Giovanni and Rigoletto with modern works by Benjamin Britten. The re-purposed industrial buildings are something of an adult playground, with clubs, concert venues, bars and even an outdoor climbing wall on offer, but has seen its popularity wane in recent years. Urban Spree, the new project from the French crew behind the much-missed HBC, houses an art gallery, concert hall, studio spaces and Bunsmobile food truck, with an emphasis on the experimental and DIY. There are frequent performances and concerts, ranging from freeform jazz, to acid-folk and improvised instrumental noise. Look out for gigs by far-out noiseniks Psychic Ills and ex-Can frontman Damo Suzuki, as well as the occasional curveball like hip-hop mega-producer Swizz Beatz. One of the only original Weimar revue theatres left in Berlin, Admiralspalast was home to the GDR Berlin State Opera during the post-war years. The hippest and hardest electronic music club in Berlin, if not Europe. The building is a Communist- era power station transformed into a concrete cathedral of techno on two floors, with the mixed Panorama Bar upstairs and Berghain below. Saturday nights see Berghain awash with pumped-up, shirtless gay men sweating it out on the dance-floor or in the darkroom at the back well into Sunday afternoon. In summer, the party pours over into the garden chill-out area, bar and dance floor. Arrive after 6am to avoid the massive queues. Once on Am Wriezener Bahnhof, just follow the stream of taxis to reach the door. Cameras are prohibited and taken at the door and returned later. Located under the round- about housing development at Kottbusser Tor, the mixed but girl-heavy crowd enjoy nightly drinks and dancing, as well as many one-off rock parties. The Kottywood party is a popular go-to for gays and lesbians looking to cap a Friday night grinding to Latin, retro and pop music. Südblock also serves food, ranging from breakfast to midnight snacks. But Schwuz is not just about hands-in-the-air, this is where you come for art installations, LGBT-friendly talks and presentations, live music, food and coffee, gossip and a warm welcome every time. As his savings dwindled, he began sleeping in his car, bought a second-hand karaoke machine, and soon was driving to squat houses all over Europe, throwing karaoke parties and getting paid to do it. Aspiring divas can belt out songs in one of several different karaoke booths, some small and intimate, others complete with their own stage area where transsexual hosts often compete on weekends. Formerly the Schauspielhaus am Gendarmenmarkt, this 1821 architectural gem by Schinkel was all but destroyed in the war. Lovingly restored, it was reopened in 1984 with three main spaces for concerts. Organ recitals in the large concert hall are a treat, played on the massive Jehmlich organ at the back of the stage. The Konzerthausorchester is based here, presenting a healthy mixture of the classic, the new and the rediscovered, and the Rundfunk- Sinfonieorchester Berlin and Staatskapelle Berlin also feature. An excellent example of the way Germany deals with bridging the gap between state-subsidized high culture and its underground performance scene. Hebbel am Ufer is actually a fusion of three different theatres in Kreuzberg, providing a space for younger, more experimental work ranging from drama, music, dance, talks and a strong cultural outreach programme. Other locations: HAU1, Stresemannstrasse 29; HAU3, Tempelhofer Ufer 10. The hall, with its golden vaulting roof, was designed by Hans Scharoun and opened in 1963. Over its 120-year history, the Berliner Philharmoniker has been conducted by such figures as Peter Tchaikovsky, Edvard Grieg, Richard Strauss and Gustav Mahler — all elected democratically by the orchestra members. Its greatest fame came under the baton of Herbert von Karajan, who led the orchestra between 1955 and 1989, and was succeeded by Claudio Abbado. Since 2002, it has been under the leadership of Sir Simon Rattle. The Berlin Phil gives about 100 performances in the city during its August to June season, and puts on another 20 to 30 concerts around the world. Some tickets are available at a discount immediately before performances. One of the only original Weimar revue theatres left in Berlin, Admiralspalast was home to the GDR Berlin State Opera during the post-war years. Posters on the U-bahn proclaim Berlin Opernhauptstadt opera capital — and with reason. East and West Berlin were both awash with state subsidies in a bid to demonstrate the cultural supremacy of communist and capitalist philosophy. After reunification there was twice the amount of everything, and, as a result, Berlin now boasts enough classical music for two or maybe three cities. The austere concrete Deutsche Oper building contains a stark modernist interior built in 1961 by Fritz Bornemann. Under the current directorship of Scotsman Donald Runnicles, the repertory combines visually striking adaptations of classics like Don Giovanni and Rigoletto with modern works by Benjamin Britten.
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